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What ‘Backrooms’ and ‘Obsession’ Blowing Up the Box Office Actually Tells Us About the Future of Movies
The $80-million-plus debut of Backrooms, from 20-year-old first-time director Kane Parsons, coupled with Curry Barker’s low-budget hit Obsession increasing its take for the second weekend in a row, is...
The 2026 GQ Home Awards
There's nothing better than vegging out in the one place we can truly find comfort: your home. It's where the heart is, after all, and that home is so...
‘Jackass’ Stunts, Definitively Ranked
In next month's Jackass: Best and Last, Johnny Knoxville and the gang celebrate 25 years of high-risk buffoonery. These are their proudest, grossest moments. Source link
How 3 GQ Editors Are Wearing Todd Snyder This Summer
Tasked with drawing up a list of the most influential designers isn't so easy. We could narrow it down to a tight 10…maybe. But if you grab a cork...
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Data Centers Bring the Buzz
© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate...
All That Glimmers at Ambassadors Clubhouse
The menu is vast, and somewhat conceptual—dishes are divided, at times, by type (a section for papads and chaat), but then also by size (“bitings,” or finger foods), or...
In “Hacks,” Jean Smart and Hannah Einbinder Gave Us an Odd Couple for the Ages
The depth of Deborah and Ava’s unlikely bond led the show, in its home stretch, to what many viewers considered its best episode. In this season’s seventh installment, “Montecito,”...
The Knicks: The Only Game in Town