World
Why Does Taylor Swift Think She’s Cursed?
Since Taylor Swift launched the record-breaking Eras Tour, in 2023—a hundred and forty-nine dates, fifty-one cities, more than two billion dollars in ticket sales—she has been freakishly omnipresent in...
Man Ray’s Deadpan Wit on Display at the Met
“When Objects Dream,” the sensational Man Ray show at the Metropolitan Museum of Art (through Feb. 1), is centered on the artist’s refined experiments with the cameraless images he...
“After the Hunt” Is a Pleasurably Ludicrous House of Cards
In Luca Guadagnino’s film, Julia Roberts plays a Yale professor forced to choose sides when a student accuses a colleague of sexual assault. Source link
What to See in the 2025 New York Film Festival’s Second Week
When I’m looking at what’s on offer in the Revivals section of the New York Film Festival—and, for that matter, whenever I see a noteworthy retrospective coming to one...
The Unexpected Sweetness of Bill and Ted’s “Waiting for Godot”
The jokes started before rehearsals did. “Waiting for Bill and Ted”; “Bill and Ted’s Existentialist Adventure”; “Party On, Godot!” How could we not make cracks after Keanu Reeves and...
Exploring the Intricacies of Memory with Ada Limón
The poet Ada Limón—whose latest collection, “Startlement,” went on sale this week—recently bought and moved back into her childhood home, where she lived from the time she was an...
The Age of Enshittification
Sometimes a term is so apt, its meaning so clear and so relevant to our circumstances, that it becomes more than just a useful buzzword and grows to define...
Adebunmi Gbadebo and the Mysteries of Clay
The relationship between Adebunmi Gbadebo and her material, clay, is one of supplication—on the part of Gbadebo. The churched among us consider a potter something of an autocrat; they...
“The Smashing Machine” Pulls Its Punches
Only two kinds of actors are bad: those who can’t be themselves and those who you wish wouldn’t be. All the rest are likely to shine in movies by...
