World

The Real Housewives of Moscow
A trained observer of psychology, Alina had made careful note of the strategies that seemed to work for these gazelle-like young women. For example: “A man values a woman...
A Bona-Fide Disco Album That Feels Urgently of the Moment
Many of the paired dances of the twentieth century—the foxtrot, the waltz, the Lindy Hop—reflected the binary gender dynamics of the day: men led and women followed, on the...
Justin Trudeau and Katy Perry’s Teen-Age Dream
Katy Perry is a friend of Bezos and Sánchez and has herself spent time on Koru. In April, she also climbed aboard another vessel associated with the couple, when...
Richard Linklater on His Two New Films, “Blue Moon” and “Nouvelle Vague”
Listen and subscribe: Apple | Spotify | Google | Wherever You ListenSign up for our daily newsletter to get the best of The New Yorker in your inbox.Richard Linklater...
The Lessons of “The Perfect Neighbor”
“The Perfect Neighbor” chronicles how Lorincz, in her attempts to turn law enforcement against members of her own community, managed only to unite the two groups in shared disgust....
Donald Wins the War on Crime
He alone can fix it. Source link
Tame Impala Is an Obsessive, Not a Perfectionist
The magic of Parker’s music—what makes his records so restless, dithery, dynamic—hinges on the minuscule yet crucial difference between perfectionism (endlessly boring) and obsession (endlessly interesting). “Everyone thinks I’m...
A Superbloom of Daring Theatre Hits New York
In Preston Max Allen’s “Caroline,” directed deftly by David Cromer, a onetime wild child, Maddie (Chloë Grace Moretz), reëngages with her estranged mother, Rhea (Amy Landecker)—the penitent young woman...
Nia DaCosta’s “Hedda” Shoots Straight
Wresting “Hedda Gabler” from its theatrical confines, DaCosta effects a major structural transformation with graceful ingenuity: the party, which constitutes the entire field of action, is her invention. In...
D’Angelo’s Genius Was Pure, and Rare
This week, the R. & B. singer D’Angelo died at age fifty-one, of cancer. He was best known for deftly combining the heft and tenderness of soul music with the ingenuity...
Kelly Reichardt’s “The Mastermind” Reinvents the Heist Movie
One of the joys of reviewing movies is witnessing a longtime filmmaker’s artistic breakthrough, as has happened with Kelly Reichardt. A serious director with a principled world view, she...